Author: Leonard MK1, Desai M1, Hungate D1, Cai R1, Singhal NS2, Knowlton RC2, Chang EF1
Affiliation: <sup>1</sup>a Department of Neurological Surgery , University of California, San Francisco , San Francisco , CA , USA.
<sup>2</sup>b Department of Neurology , University of California, San Francisco , San Francisco , CA , USA.
Conference/Journal: Cogn Neuropsychol.
Date published: 2018 May 22
Other:
Volume ID: 1-9 , Special Notes: doi: 10.1080/02643294.2018.1472559. [Epub ahead of print] , Word Count: 162
Music and speech are human-specific behaviours that share numerous properties, including the fine motor skills required to produce them. Given these similarities, previous work has suggested that music and speech may at least partially share neural substrates. To date, much of this work has focused on perception, and has not investigated the neural basis of production, particularly in trained musicians. Here, we report two rare cases of musicians undergoing neurosurgical procedures, where it was possible to directly stimulate the left hemisphere cortex during speech and piano/guitar music production tasks. We found that stimulation to left inferior frontal cortex, including pars opercularis and ventral pre-central gyrus, caused slowing and arrest for both speech and music, and note sequence errors for music. Stimulation to posterior superior temporal cortex only caused production errors during speech. These results demonstrate partially dissociable networks underlying speech and music production, with a shared substrate in frontal regions.
KEYWORDS: Electrocortical stimulation; language mapping; music; neurosurgery; speech production
PMID: 29786470 DOI: 10.1080/02643294.2018.1472559